Sunday, October 9, 2011

Steve Jobs Remembered (1955-2011)


Steve Jobs made technology fun. The co-founder of Apple died last Wednesday at the age of fifty-six. He had fought for years against cancer. Mourners gathered outside his house in Palo Alto, California, and Apple stores around the world.

Tim Bajarin is president of Creative Strategies, a high-tech research and consulting company.


TIM BAJARIN: "If you actually look at a tech leader, they’re really happy if they have one hit in their life. Steve Jobs has the Apple II, the Mac, the iPod, the iPhone, the iPad and Pixar.”


Steve Jobs was a college dropout. He was adopted by a machinist and his wife, an accountant. They supported his early interest in electronics.


He and his friend Steve Wozniak started Apple Computer -- now just called Apple -- in nineteen seventy-six. They stayed at the company until nineteen eighty-five. That year, Steve Wozniak returned to college and Steve Jobs left in a dispute with the chief executive.


Mr. Jobs then formed his own company, called NeXT Computer. He rejoined Apple in nineteen ninety-seven after it bought NeXT. He helped remake Apple from a business that was in bad shape then to one of the most valuable companies in the world today.


Steve Wozniak, speaking on CNN, remembered his longtime friend as a "great visionary and leader" and a "marketing genius."


President Obama said in a statement: "By building one of the planet’s most successful companies from his garage, he exemplified the spirit of American ingenuity. By making computers personal and putting the Internet in our pockets, he made the information revolution not only accessible, but intuitive and fun."


David Carroll is a professor at Parsons School of Design in New York City. He says Steve Jobs not only revolutionized technology, he also revolutionized American business.


DAVID CARROLL: “The fact that he was able to redesign American commerce top to bottom and across is really stunning. He probably will be considered an industrial giant on the scale of Thomas Edison and Henry Ford, so one of the great[s] of all time.”


Steve Jobs stepped down as Apple's chief executive in August because of his health. He died a day after the company released a new iPhone version that met with limited excitement. Apple's new chief, Tim Cook, will also have to deal with the new Kindle Fire tablet computer from Amazon.com. It costs less than half as much as an iPad but also does less.


If you want more information about Steve Jobs go to:
http://allaboutstevejobs.com/



All Information from Internet.

Monday, June 13, 2011

Clarence Clemons, hospitalized in Florida after a stroke.


Clarence Clemons, hospitalized in Florida after a stroke, has had two brain surgeries but is "responsive and in stable condition," according the authoritative Bruce Springsteen and the E Street Band fan website, backstreets.com.

Also, Carolyn Gusoff of Fox 5 News has reported that Clemons is paralyzed on the left side of his body, though backstreets.com quotes a "close friend" of Clemons as saying: "He was paralyzed on his left side, but now he's squeezing with his left hand."

It was first reported last night on the showbiz411.com that the saxophonist had suffered a stroke at his Florida home and was seriously ill. That news has since been confirmed by several sources.

Showbiz411 added today that members of the E Street Band "were advised to get down to Florida as soon as possible."

Clemons is an original member of the E Street Band, and the oldest member of the band, at 69. He is someone whose importance to the New Jersey rock 'n' roll scene can't be overstated, and who is utterly irreplaceable.

His big, immediately recognizable saxophone wail is one of the cornerstones of the E Street sound. Songs such as "Born to Run," "Badlands" and "Jungleland" wouldn't have sounded remotely the same without him, and his larger-than-life personality always has given him a central role in the theatrics of the band's stage shows.

As a sign of respect, Bruce Springsteen, when introducing the band, always introduces him last. Springsteen also gave him a crucial role in the autobiographical song "Tenth Avenue Freeze-Out," singing, about the moment when the E Street Band started to become successful: "When the change was made uptown and the Big Man joined the band/From the coastline to the city all the little pretties raise their hands."

Although the E Street Band is currently on hiatus, Clemons has continued to perform on his own, occasionally, and has been in the news lately after performing on Lady Gaga's new album, "Born This Way."

He was also the subject of a documentary, "Who Do I Think I Am? A Portrait of a Journey," that premiered at the Garden State Film Festival in Asbury Park, in April. The film documented the traveling that Clemons had done in China after Springsteen's "Rising Tour" of 2002-03. "I was kind of looking for myself," Clemons told The Star-Ledger in March. "The tour with Bruce was just so long: It took me out of my body, it took me out of myself. And finding who I am was what this (trip) turned into."

He was still, at the time, undergoing "major, major rehab," he said, from the knee replacement and spinal surgeries he has undergone over the last few years, but was hopeful that the band would tour again in 2012.

In February, Clemons told Rolling Stone magazine that he wanted keep touring with Springsteen as long as possible. "As long as my mouth, hands and brain still work I'll be out there doing it," he said.

Lady Gaga tweeted this morning that “my very close friend + musician on The Edge of Glory, Clarence Clemons is very sick. Can we all make some get well videos?”

Drummer and music industry executive Narada Michael Walden, whom Clemons has called a close friend and spiritual adviser, replied to an e-mail query today about Clemons by responding, “Love and prayers to the Big Man! He is our Hero!”

Clemons’ nephew, saxophonist Jake Clemons, updated his Facebook status today to say: “Please do not lose Hope!”

Added Saturday, June 18, 2011.

Clarence Clemons, the saxophonist in Bruce Springsteen’s E Street Band, whose jovial onstage manner, soul-rooted style and brotherly relationship with Mr. Springsteen made him one of rock’s most beloved sidemen, died Saturday at a hospital in Palm Beach, Fla. He was 69.


This is a sad day in Rock.


The Associated Press contributed to this report.

Saturday, March 12, 2011

Will the Internet Kill Traditional Car Radio?


THE Internet’s tentacles seem to have no limit, reaching out and strangling CDs, bookstores, newspapers and magazines. Now it has its sights set on the car radio.


Many people are already accustomed to plugging an iPod into the car to listen to their library of Chet Baker or Arcade Fire tracks rather than CDs. But now there is a new movement that could really threaten traditional broadcast radio: Internet music services like Pandora, Slacker and Last.fm, already popular with computer and smartphone owners, are being tailored by software developers, consumer electronics companies and even automakers to work more seamlessly with car stereo systems. So, while video didn’t end up killing the radio star, this time the Internet might just succeed.

The devices responsible for this trend are smartphones like Apple’s iPhone, RIM’s line of BlackBerrys and phones using the Android software developed by Google. These handsets all have free applications that play customized music channels streamed over the Internet using the phone’s 3G wireless data connection. The services are generally free, although smartphone owners typically pay about $30 a month on top of regular voice service for unlimited data usage.

The attraction is that rather than being shackled to the same old hits from local radio stations, listeners can customize the music channel to suit their tastes. Pandora has about 750,000 songs and 40 million listeners. Put in the name of your favorite artist, say Chairlift, and Pandora creates a station that features Chairlift and similar groups, like Metric.

But using such a service on a phone in the car usually meant looking away from the road to switch channels or skip a song on the phone — a major distraction. So companies are marrying these services to existing in-car controls, essentially making it no different than switching between 1010 WINS and Q104.3.

Alpine, a car stereo maker, for example, offers the $400 Alpine iDA-X305S Digital Media Receiver with Pandora Link. Using a special iPhone-compatible cable, the in-dash receiver lets listeners skip through their customized stations and even give songs a thumbs up or thumbs down by pushing in and turning the receiver’s front dial. The downside is that drivers still have to look down at the stereo’s display to find what can be a needle in a haystack of endless channel choices.

Pioneer recently introduced a more elegant solution that adds voice control to its Pandora option. The AVIC X920BT costs $1,200 (not including the cost of a professional installation), but it throws a lot into one package: a 6.1-inch LCD touch screen, turn-by-turn navigation, AM/FM/CD and carbon-conscious features like an Eco Graph display that tells you how your driving habits are hurting (or helping) the planet. But connect an iPhone to the system using an optional $50 cable and the unit really shines.

Not only will the in-dash display list your iPhone music library, but it also will control an about-to-be-released Pandora app specifically designed to work with the Pioneer system.

During a test drive when I became irritated by a Beyonce song, I simply pushed a “voice” button on the side of the Pioneer display and told the system to “play the Doors.” Within a couple of seconds, the unit began to play songs from the “Soft Parade” album. The sound quality, while not equivalent to a CD, was as good as typical radio reception and better than some satellite radio stations. And when a call came in, the built-in Bluetooth hands-free system automatically muted the music.

I did discover some limitations, however. AT&T’s 3G wireless service is notoriously patchy in New York City, so there were occasional dead spots when the music dropped out as the cellphone searched for a signal. Furthermore, the software will not let you create or add new Pandora stations, a nod to concerns about distracted driving. And the Pioneer and Alpine stereos work only with Pandora on an iPhone. I did try a Bluetooth connected Motorola Droid phone with the Pioneer system, but because it lacked custom software controls, it meant that I had to go back to using the buttons on the phone, a definite distraction and potential hazard.

However, such limitations may soon disappear as automakers integrate streaming Internet services directly into their cars. Ford is one of the first to tether smartphones to its vehicles by allowing compatible apps to connect to its latest version of Sync. The 2011 Fiesta, for example, will allow some Android and BlackBerry applications to use the car’s voice recognition and steering wheel controls. Not surprisingly, one of the first apps is Pandora. In an early demonstration using a Motorola Droid phone, I was able to switch among Pandora stations using my voice, and I could skip songs using the forward button on the steering column. Ford has plans to let even more software developers connect apps to its cars, including programs that play podcasts and read Twitter feeds.

Of course, traditional radio broadcasters have heard the drumbeat of mobile apps. They have responded with their own apps, streaming live broadcasts from thousands of stations to handsets and through them, to cars.

“We’re not trying to dictate where people connect to us,” says Evan Harrison, an executive vice president of Clear Channel Radio. “We need to be everywhere.”

So the company has a popular app of its own called iheartradio. It’s a virtual tuner that allows listeners to choose streams from Clear Channel’s network of over 750 AM and FM stations nationwide. According to Mr. Harrison, the online streams have added 15 percent more listeners to the company’s total audience.

“We are only too well aware of the technology,” says Fred Jacobs, president of Jacobs Media, a 27-year-old radio consulting firm. In a little over a year and a half, Mr. Jacobs has seen a land rush in radio apps. His firm has responded by creating more than 130 iPhone apps for individual radio stations and programs across the country. The separate apps, which the company said have been downloaded by more than 2.5 million listeners, cover stations and shows including C-SPAN Radio, “Loveline With Dr. Drew” and KDRY Christian Radio. Mr. Jacobs says these free applications often include extra features, like photos, and could offer new forms of advertising on a phone or dashboard screen.

“It’s a way for radio to get its portable mojo back,” he says.

Software developers also sense the opportunity. Livio Radio is about to introduce a $4.99 iPhone app that turns the handset into a digital tuner capable of pulling in music from 42,000 AM/FM and Internet-only stations. The company has designed its software to make it easier for drivers to scan stations with a swipe of a finger, although I still had trouble squinting at the iPhone screen.

So is the death of traditional radio ineluctable?

Joe Kennedy, chief executive of Pandora, says he thinks there will be a gradual migration in the car to services like Pandora, but he also says he believes it will not become a mainstream service until all new cars feature systems that can tap into apps. On the other hand, one player in this game of digital musical chairs may soon end up without a seat: Sirius XM Radio. Its satellite radio service is based on a monthly subscription model that few music fans may feel compelled to pay for, given the wider variety of genres available free on the Internet.

Ultimately, the incursion of Internet-based music services and radio station streams may be less about annihilating yet another business model than it is about breaking down barriers. For the first time, small local stations will be able to reach an entire driving nation, so some broadcasters may see their audiences swell as more listeners find them on Internet-connected car radios. In the end, it may simply be a case of radio is dead, long live radio.


A version of this article appeared in print on May 9, 2010, on page AU2 of the New York edition.